C.V.
Exhibitions & Performances
2025 A Bit Like A Sign, Conditions, London, UK.
2024 The Owen Rowley Prizewinners Retrospective (1988-2019), Mall Galleries, London, UK.
2023 Front Garden, Turf Projects, London, UK.
2022 Seamonsters: New-Car-Smell Edition, Hackney Den, London, UK.
2018 Low Entertainment, Arch 5, London, UK.
Unperforming, ArtsAdmin, London, UK.
2017 Unperforming, ArtsAdmin, London, UK.
2015 Everyone is Unique: You Most of All, Kunstverein Leipzig, Germany.
Unperforming/Panacea I, 43 Inverness Street Gallery, London, UK.
Control and Ventriloquism: What You Say Goes, Function Room, London, UK.
2014 Your Culture is Ailing, Your Art is Dead, various UK locations and Latitude Festival, Southwold, UK.
Never Lend Money to a Woman With a Sense of Humour, Kreuzberg Pavilion, Berlin, Germany.
TECHNOPOLIS, Departure Foundation at 55 Gracechurch Street, London, UK.
2013 Your Culture is Ailing, Your Art is Dead, various UK locations.
Frank!, Rowing Projects, London, UK.
Robinsonner, ArtLicks, London, UK.
Ordinary, Departure Foundation at 55 Gracechurch Street, London, UK.
Flash 500, launch and performance, Whitechapel Gallery London, UK (commission by Akerman Daly).
Art Cinema, Middlebrough Institute of Contemporary Art, Middlebrough, UK.
2012 Uncertain Triolectics and A Very Short Introduction to Nothing, Skånes Konstförening, Malmö, Sweden
(commission).
Greener on the Other Side, video festival, various international locations.
No Now!, Space Station Sixty-Five, London, UK.
Going Public: Telling It As It Is, ENPAP, BizBAK UPV/EHU, Bilbao, Spain.
2011 METAMart: Kunst und Kapital, Künstlerhaus Wien, Vienna, Austria.
Change the World or Go Home, Down Stairs, Great Brampton House, Herefordshire.
Boring Conference, York Hall, London, UK (speaker).
FILM + DESIGN Festival, Eindhoven, Netherlands.
Who are We Writing For? Symposium, Deveron Arts, Huntly, Scotland, UK (speaker).
Richard Dawkins Does Not Exist. And We Can Prove It, Edinburgh Festival Fringe, Scotland, UK.
2010 Boring Conference, Dominion Theatre, London, UK (speaker).
Korea Experimental Art Fesitval, Yogiga Expression Gallery, Seoul, South Korea.
Existential Territories, FormContent, London, UK.
Karl St Bernard Lampenschwartz and Doktor Albirt Umber - The Biographical Notes, book launch and reading
(with Billy Childish), Institute of Contemporary Art, London, UK.
Robin Ince’s Bad Book Club launch event, performance with Stewart Lee, Edinburgh International Book
Festival, Scotland, UK.
Rhizomatic, Departure Gallery, Southall, London, UK.
2009 INFILTRATIONS: Auto-Responsive Culture Jamming, Insurgency and Reality Adjustments in Contemporary Art
Practice, L-13 Light Industrial Workshop, London, UK.
Unwanted Sights and Sounds, Et Cetera Gallery, London, UK.
Nil Desperandum, John Knill House, St. Ives, Cornwall, UK.
Atlas: Separated by Intervals, Crypt Gallery, London, UK.
The Kiss of A Lifetime, BEARSPACE Gallery, London, UK.
in/flux, 80 Kingsland Road, London, UK.
Late at Tate, Tate Britain, London, UK.
What Line Isn’t That Anyone?, Resonance FM, London, UK.
Robin Ince’s Book Club, Bannerman’s, Edinburgh Festival Fringe, Scotland, UK.
2008 Free Art Fair, London, UK.
Whitstable Biennale, various locations, Whitstable, UK (commission).
Ides of March: Colab, ABC No Rio, New York (commission).
London Metropolitan University Fine Art Degree Show, London, UK.
2007 The Guy Debord Show, New General Catalog, New York, USA.
Frogstock, Alma Enterprises, London, UK.
2006 (Deviant) Art Festival, Konsthallen, Trollhättan, Sweden.
2005 Intercultural Transformations, British Museum, London UK and various locations, Karachi, Pakistan.
2004 AuntyNazi: The Meat of Weaklings, Bonington Gallery, Nottingham, UK.
2024 The Owen Rowley Prizewinners Retrospective (1988-2019), Mall Galleries, London, UK.
2023 Front Garden, Turf Projects, London, UK.
2022 Seamonsters: New-Car-Smell Edition, Hackney Den, London, UK.
2018 Low Entertainment, Arch 5, London, UK.
Unperforming, ArtsAdmin, London, UK.
2017 Unperforming, ArtsAdmin, London, UK.
2015 Everyone is Unique: You Most of All, Kunstverein Leipzig, Germany.
Unperforming/Panacea I, 43 Inverness Street Gallery, London, UK.
Control and Ventriloquism: What You Say Goes, Function Room, London, UK.
2014 Your Culture is Ailing, Your Art is Dead, various UK locations and Latitude Festival, Southwold, UK.
Never Lend Money to a Woman With a Sense of Humour, Kreuzberg Pavilion, Berlin, Germany.
TECHNOPOLIS, Departure Foundation at 55 Gracechurch Street, London, UK.
2013 Your Culture is Ailing, Your Art is Dead, various UK locations.
Frank!, Rowing Projects, London, UK.
Robinsonner, ArtLicks, London, UK.
Ordinary, Departure Foundation at 55 Gracechurch Street, London, UK.
Flash 500, launch and performance, Whitechapel Gallery London, UK (commission by Akerman Daly).
Art Cinema, Middlebrough Institute of Contemporary Art, Middlebrough, UK.
2012 Uncertain Triolectics and A Very Short Introduction to Nothing, Skånes Konstförening, Malmö, Sweden
(commission).
Greener on the Other Side, video festival, various international locations.
No Now!, Space Station Sixty-Five, London, UK.
Going Public: Telling It As It Is, ENPAP, BizBAK UPV/EHU, Bilbao, Spain.
2011 METAMart: Kunst und Kapital, Künstlerhaus Wien, Vienna, Austria.
Change the World or Go Home, Down Stairs, Great Brampton House, Herefordshire.
Boring Conference, York Hall, London, UK (speaker).
FILM + DESIGN Festival, Eindhoven, Netherlands.
Who are We Writing For? Symposium, Deveron Arts, Huntly, Scotland, UK (speaker).
Richard Dawkins Does Not Exist. And We Can Prove It, Edinburgh Festival Fringe, Scotland, UK.
2010 Boring Conference, Dominion Theatre, London, UK (speaker).
Korea Experimental Art Fesitval, Yogiga Expression Gallery, Seoul, South Korea.
Existential Territories, FormContent, London, UK.
Karl St Bernard Lampenschwartz and Doktor Albirt Umber - The Biographical Notes, book launch and reading
(with Billy Childish), Institute of Contemporary Art, London, UK.
Robin Ince’s Bad Book Club launch event, performance with Stewart Lee, Edinburgh International Book
Festival, Scotland, UK.
Rhizomatic, Departure Gallery, Southall, London, UK.
2009 INFILTRATIONS: Auto-Responsive Culture Jamming, Insurgency and Reality Adjustments in Contemporary Art
Practice, L-13 Light Industrial Workshop, London, UK.
Unwanted Sights and Sounds, Et Cetera Gallery, London, UK.
Nil Desperandum, John Knill House, St. Ives, Cornwall, UK.
Atlas: Separated by Intervals, Crypt Gallery, London, UK.
The Kiss of A Lifetime, BEARSPACE Gallery, London, UK.
in/flux, 80 Kingsland Road, London, UK.
Late at Tate, Tate Britain, London, UK.
What Line Isn’t That Anyone?, Resonance FM, London, UK.
Robin Ince’s Book Club, Bannerman’s, Edinburgh Festival Fringe, Scotland, UK.
2008 Free Art Fair, London, UK.
Whitstable Biennale, various locations, Whitstable, UK (commission).
Ides of March: Colab, ABC No Rio, New York (commission).
London Metropolitan University Fine Art Degree Show, London, UK.
2007 The Guy Debord Show, New General Catalog, New York, USA.
Frogstock, Alma Enterprises, London, UK.
2006 (Deviant) Art Festival, Konsthallen, Trollhättan, Sweden.
2005 Intercultural Transformations, British Museum, London UK and various locations, Karachi, Pakistan.
2004 AuntyNazi: The Meat of Weaklings, Bonington Gallery, Nottingham, UK.
Texts & Publications
2025 'My Name is Janez Janša’: The Curious Reiteration of the Slovenian Prime Minister, Contemporary Theatre Review, 34:4 (open access): https://www.tandfonline.com/doi/full/10.1080/10486801.2024.2413465
2023 A Light That Never Goes Out, Turf Projects, London, UK (commission for London Borough of Culture).
2020 Toolbox: Ideas, Inspirations, Games from Artists with a working class background for the men at HMP
Leicester, digital and physical book.
2013 Flash 500, Akerman Daly, London, UK, (commission).
Obituary: Justin Bieber, Jour Mal Journal, UK (commission)
OPEN PLAN, mini-essay in exhibition catalogue, Departure Foundation, London, UK.
Shape & Situate: Posters of Inspirational European Women, issue 4.
2011 Artist interview, Poor But Sexy: Volume 4, Toronto, Canada.
2010 We Won’t Rock You: Interview with James Ward, 3:AM Magazine.
It’s the Future, Jim, But Not as We Know It, 3:AM Magazine.
Karl St Bernard Lampenschwartz and Doktor Albirt Umber: The Biographical Notes, co-authored with Billy
Childish, L-13 Press, London, UK.
2009 Death in the Gallery: Clem Fatale and Fatalism, L-13 Press, London, UK
Obscenity is Whatever Gives a Judge an Erection, 3:AM Magazine
The Commissioners of Lunacy, Fine Art degree show catalogue, London Metropolitan University, UK
(commission).
2023 A Light That Never Goes Out, Turf Projects, London, UK (commission for London Borough of Culture).
2020 Toolbox: Ideas, Inspirations, Games from Artists with a working class background for the men at HMP
Leicester, digital and physical book.
2013 Flash 500, Akerman Daly, London, UK, (commission).
Obituary: Justin Bieber, Jour Mal Journal, UK (commission)
OPEN PLAN, mini-essay in exhibition catalogue, Departure Foundation, London, UK.
Shape & Situate: Posters of Inspirational European Women, issue 4.
2011 Artist interview, Poor But Sexy: Volume 4, Toronto, Canada.
2010 We Won’t Rock You: Interview with James Ward, 3:AM Magazine.
It’s the Future, Jim, But Not as We Know It, 3:AM Magazine.
Karl St Bernard Lampenschwartz and Doktor Albirt Umber: The Biographical Notes, co-authored with Billy
Childish, L-13 Press, London, UK.
2009 Death in the Gallery: Clem Fatale and Fatalism, L-13 Press, London, UK
Obscenity is Whatever Gives a Judge an Erection, 3:AM Magazine
The Commissioners of Lunacy, Fine Art degree show catalogue, London Metropolitan University, UK
(commission).
Residencies
2013 OPEN PLAN I, Departure Foundation at 55 Gracechurch Street, London, UK
OPEN PLAN II, Departure Foundation at 55 Gracechurch Street, London, UK
OPEN PLAN II, Departure Foundation at 55 Gracechurch Street, London, UK
Collections
Leaving Present (2019), text commission for private collection.
Sick Note (2013, occasional ongoing series), private collection.
Sick Note (2013, occasional ongoing series), private collection.
Awards and Grants
2024 Croydon Council London Borough of Culture Legacy Fund: Development of Cultural and Creative Practitioners grant.
2016 Queen Mary University of London Principle's Studentship - full PhD stipend and fee waiver (accepted)
AHRC TECHNE Scholarship, Roehampton University - full PhD stipend and fee waiver (declined)
2015 Marjorie Thompson Prize for Outstanding Academic Achievement (MA thesis), Queen Mary University of London.
2008 The Owen Rowley Prize for Art, London Metropolitan University.
2016 Queen Mary University of London Principle's Studentship - full PhD stipend and fee waiver (accepted)
AHRC TECHNE Scholarship, Roehampton University - full PhD stipend and fee waiver (declined)
2015 Marjorie Thompson Prize for Outstanding Academic Achievement (MA thesis), Queen Mary University of London.
2008 The Owen Rowley Prize for Art, London Metropolitan University.