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‘It is very seldom you laugh out loud at an art show, but here it happens […] comical and accurate, but also holds a sharp point against society and artist myth.’ Sydsvenska, Sweden, review of Uncertain Triolectics and A Very Short Introduction to Nothing, 2012
‘With [Young] making light-hearted humour of a modern revolution of sorts, of pushing artists forward to make change, [is she] actually just mocking the inability of artists and audience to be modern revolutionaries?’ a-n magazine, review of Change the World Or Go Home, 2012
‘A delightful skewering of Art School hipster pretension’, Gawker, 2011
‘A quirky algorithm of a show, mixing components of stage drama, comedy, music, sermon and indeed mathematics’, 4/5, The Skinny, review of Richard Dawkins Does Not Exist. And We Can Prove It, 2011

‘Head-fucking…Pure nonsense’, Artvehicle, 2009
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